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2949
紙本 彩墨
簽名：林風(fēng)眠
鈐印：林風(fēng)暝印（朱）
出版：1.《林風(fēng)眠畫集》圖版30，山藝術(shù)文教基金會(huì)，1995年。
2.《95林風(fēng)眠個(gè)展專輯》圖11,山藝術(shù)文教基金會(huì)，1995年。
3.《炎黃藝術(shù)家選集(5)林風(fēng)眠畫集》圖07，山藝術(shù)文教基金會(huì)，1995年。
展覽：1.“林風(fēng)眠個(gè)展”，中僑國(guó)貨藝?yán)龋愀郏?990年。
2.“林風(fēng)眠畫展”，炎黃藝術(shù)館，高雄，1992年。
3.“林風(fēng)眠水墨畫展”，國(guó)父紀(jì)念館，臺(tái)北，1995年5月。
4.“95林風(fēng)眠個(gè)展”，炎黃藝術(shù)館，高雄，1995年7月。
5.“山中瑰寶-山美術(shù)館典藏精選”，山美術(shù)館，高雄，2000年8月。
Lin Fengmian (1900-1991) Autumn
Colored ink on paper
Signed 'Lin Fengmian' in Chinese, with a red seal of the artist
Illustrated: 1. Lin Fengmian's Paintings, pl. 30, Mountain Art Foundation, 1995
2. 95' Lin Fengmian Solo Exhibition, pl. 11, Mountain Art Foundation, 1995
3. Selected Works of Chinese Artists: Lin Fengmian's Paintings, pl. 07, Mountain Art Foundation, 1995
Exhibited: 1.'Lin Fengmian Solo Exhibition', Art Gallery of Hong Kong Chuen Kiu Chinese Product Company, Hong Kong, 1990
2.'Lin Fengmian Solo Exhibition', Yan-Huang Art Museum, Kaohsiung, 1992
3.'Exhibition of Lin Fengmian's Ink Paintings', Sun Yat-sen Memorial Hall, Taipei, May,1995
4.'95' Lin Fengmian Solo Exhibition', Yan-Huang Art Museum, Kaohsiung, July, 1995
5.'Treasure in Mountain: The Select Collections of Mountain Art Museum', Mountain Art Museum, Kaohsiung, August, 2000
66.5×68.5cm
RMB: 1,800,000-2,800,000
林風(fēng)眠 1900年生于廣東梅州。1919年赴法國(guó)學(xué)習(xí)繪畫，入巴黎國(guó)立高等美術(shù)學(xué)校。1925年出任北平藝術(shù)專科學(xué)校校長(zhǎng)兼教授。1928年受蔡元培之邀任杭州國(guó)立藝術(shù)院校長(zhǎng)，倡導(dǎo)中西合璧的藝術(shù)運(yùn)動(dòng)創(chuàng)作經(jīng)驗(yàn)和理論。解放后，任上海中國(guó)畫院畫師、中國(guó)美術(shù)家協(xié)會(huì)上海分會(huì)副主席。1977年定居香港繼續(xù)從事藝術(shù)創(chuàng)作至晚年。作品曾入選法國(guó)秋季沙龍。曾在北京、法國(guó)等地舉辦個(gè)展，是享有國(guó)際聲望及地位的中國(guó)畫家之一。
Lin Fengmian was born in Meizhou, Guangdong Province in 1900, and went to France where he entered ENSBA in 1918. Since 1925, he had been a professor and later president of Beiping College of Art. Two years later, upon invitation of Cai Yuanpei, he served as headmaster of Hangzhou National Art College where he advocated enthusiastically art creation and theory that combined both oriental and western experience. After the liberation of China, he became a professional artist in Shanghai Academy of Chinese Painting and vice president of China Artists Association, Shanghai Branch. Later he spent the rest of his life in Hong Kong. Enjoying lofty international reputations, he held solo exhibitions in Beijing, France, etc.